This paper documents a dispute involving the freedom of the press that captivated the attention of the Berlin intelligentsia in the 1780s. The dispute provides the socio-historical background for the section in Hegel’s Phenomenology of Spirit entitled “The Struggle of the Enlightenment with Superstition.” (GW, VI.B.II.488-522) The section can also be read as Hegel’s critique of Jacobi. The latter’s presence in the Phenomenology, although not pervasive, is at least conspicuous.

Conjectures for the text of three passages in Martial (5, 11, 1; 5, 20, 6-7; 5, 38, 3), with critical notes on the ‚new Gaius‘, inst. 3, 154a-b (P.S.I. XI, 1182, A14-B42).

Nel 1516 Leone X sfuggì di misura a un’incursione di pirati musulmani mentre cacciava sul litorale romano.1 Presumibilmente gli incursori non si accorsero di quanto preziosa fosse la preda che avevano mancato. E noi non riusciamo neppure a immaginare le conseguenze di una simile cattura: ci vorrebbe un intero libro di storia controfattuale. Il rischio inaudito corso dal papa confermava la vulnerabilità dell’Europa cristiana, e addirittura del suo centro, Roma, che la frattura religiosa del Mediterraneo aveva trasformato in un avamposto (...) proteso verso gli infedeli. Il tema era presente nella mente di Leone X almeno da quando Paolo Giustiniani e Pietro Quirini gli avevano dato risalto nel 1513. Delle sei parti in cui .. (shrink)

An overview of current scholarship in ontology places one before two parallel lines that never meet: on the one hand there are essays in so-called “analytic ontology”, on the other hand, there are studies developed within so-called Aristotelian-Thomistic ontology. However, even though it is frequently ignored, there is an interesting philosophical current of thought within so-called “analytical Thomism”, which joins contemporary debates of “analytic ontology” from the perspective of an Aristotelian-Thomistic ontology. The main contributors to this current are P. Geach (...) and B. Miller, who have proposed a new theory about existence, called “two sense theory”. It is a view intermediate between the well known Fregean and Meinongian views, arguing for the possibility of two senses of “exists”: as first- and as second-order predicate. The object of this paper is to present this current of thought, and to evaluate it from the point of view of the history of ontology and of “continental” Thomism. (shrink)

In Kafka’s literary world, several animals emerge; they belong to an odd and enigmatic fauna, on the edge between violence and artistry but also between stillness and music; according to the writer, scripture represents both the fault and the punishment waiting for the solitary artist. Animals, especially depicted as hordes of small mice or other rodents, also hint to the heterogeneous structure of the Self, who doesn’t manage to keep under control all the divisions in his ambiguous dentity. Through opposition (...) between the point of view of the subject, who considers his own isolation as indispensable to carry on writing, and the multitude of escaping small animals, Kafka also expresses and experiences his own impossibility of “description” (Beschreibung). In the meantime, Kafka’s animals embody the creatural and unconscious sources of imagination the writer draws from that constantly escape his own control and willingness, pushing forwards into an unknown and inhospitable region, towards the wasteland, the eternal winter that can be identified with scripture. In writing, a deep metamorphosis of the Self takes place. Kafka shares this belief with one of the writers he most admired and considered his master, Gustave Flaubert, who firmly thought that, while writing, one loses his previous identity, becoming someone else, even assuming the appearence of the “otherness”. We can state that Kafka’s imagery of animals takes to the extreme the paradox and ambiguity the idea of writing relies on, also reproducing, especially, in his hybrid creatures, the feeling of uncertainty and lack of safety of the assimilated Jewish artist. (shrink)

Thomas Reid (1710–1796) presented a two-dimensional geometry of the visual field in his Inquiry into the human mind (1764), whose axioms are different from those of Euclidean plane geometry. Reid’s ‘geometry of visibles’ is the same as the geometry of the surface of the sphere, described without reference to points and lines outside the surface itself. Interpreters of Reid seem to be divided in evaluating the significance of his geometry of visibles in the history of the discovery of non-Euclidean geometries. (...) The question will be reexamined with particular attention given to his unpublished manuscripts. These include comments on Saccheri’s work and Reid’s repeated attempts to derive Euclid’s parallel postulate from the axioms of incidence. (shrink)

Thomas Reid presented a two-dimensional geometry of the visual field in his Inquiry into the Human Mind (1764). The axioms of this geometry are different from those of Euclidean plane geometry. The ‘geometry of visibles’ is the same as the geometry of the surface of the sphere, described without reference to points and lines outside the surface itself. In a recent article, James Van Cleve has argued that Reid can secure a non-Euclidean geometry of visibles only at the cost of (...) abandoning his direct realist theory of perception, and reintroducing sense-data. The question will be reexamined by considering two aspects of Reid’s theory of vision: the claim that we do not directly perceive distance by sight and Reid’s characterization of visible figure as a partial notion of an external object. (shrink)

This article argues that Robert Alexy's influential theory of balancing is affected by a contradiction that makes it unfeasible as an instrument by which to explain some aspects of law and legal reasoning it aims to clarify. In particular, I will show that one of the premises of Alexy's theory of balancing is incompatible with its conclusion. Alexy's theory is based upon a sharp distinction between rules and principles. However, as my analysis will demonstrate, its conclusion implies that it is (...) impossible to distinguish between rules and principles. This is because the so‐called weight formula and the law of colliding principles (i.e., the two main notions used by Alexy to explain balancing) cancel out any difference between these two types of norms. (shrink)

In der Reihe werden herausragende monographische Untersuchungen und Sammelbände zu allen Aspekten der Philosophie Kants veröffentlicht, ebenso zum systematischen Verhältnis seiner Philosophie zu anderen philosophischen Ansätzen in Geschichte und Gegenwart. Veröffentlicht werden Studien, die einen innovativen Charakter haben und ausdrückliche Desiderate der Forschung erfüllen. Die Publikationen repräsentieren den aktuellsten Stand der Forschung.

In order to illustrate the difference between sensation and perception, Reid imagines a blind man that by ‘some strange distemper’ has lost all his notions of external objects, but has retained the power of sensation and reasoning. Reid argues that since sensations do not resemble external objects, the blind man could not possibly infer from them any notion of primary qualities. Condillac proposed a similar thought experiment in the Treatise on Sensations. I argue that Condillac can reach a conclusion opposite (...) to that of Reid only by assuming that some particular collections of sensations do indeed resemble the qualities of external objects. Reid had considered a similar case in a manuscript, but he again notices that such complex collections sensations do not resemble the qualities of external objects. (shrink)

According to Reid, opinions that contradict the principles of common sense are not only false but also absurd. Nature has given us an emotion that reveals the absurdity of an opinion: the emotion of ridicule. An appeal to ridicule in philosophical arguments may easily be discounted as a logical fallacy in the same manner as an appeal to the common consent of people. This essay traces the origins of Reid's defense of ridicule in the works of Addison, Hutcheson, Shaftesbury and (...) Campbell. Reid rejected a non-epistemic view of the sense of ridicule. According to Reid, ridicule includes both a feeling and a particular act of judgment based on the principles of common sense. (shrink)

While Hume had a favorable opinion of the new commercial society, Reid envisioned a utopian system that would eliminate private property and substitute the profit incentive with a system of state-conferred honors. Reid’s predilection for a centralized command economy cannot be explained by his alleged discovery of market failures, and has to be considered in the context of his moral psychology. Hume tried to explain how the desire for gain that motivates the merchant leads to industry and frugality. These, in (...) their turn, benefit all society. Reid still saw the desire for money as a degenerate form of the desire for power. The contrast between Hume and Reid, however, has not to be taken too far. On some particular matters of economic policy, such as paper credit, Hume and Reid eventually came to similar views. (shrink)

In a recent article on Reid’s theory of single and double vision, James Van Cleve considers an argument against direct realism presented by Hume. Hume argues for the mind-dependent nature of the objects of our perception from the phenomenon of double vision. Reid does not address this particular argument, but Van Cleve considers possible answers Reid might have given to Hume. He finds fault with all these answers. Against Van Cleve, I argue that both appearances in double vision could be (...) considered visible figures of the object, and show how this solution might preserve Reid’s direct realism. However, this solution is not compatible with the single appearance of an object predicted by Reid’s theory of single and double vision. This consequence will appear evident once we consider the critique of Reid’s theory of single and double vision formulated by William Charles Wells (1757-1817). Wells argues that Reid’s theory is either incomplete or incompatible with other claims made by Reid. It is incomplete since it fails to specify the unique direction in which we the object in single vision; if it not incomplete and is compatible with the law of monocular direction given by Reid, then it is incompatible with Reid’s claim that we do not perceive immediately distance by sight. (shrink)

According to Reid, color sensations are not extended nor are they arranged in figured patterns. Reid further claimed that ‘there is no sensation appropriated to visible figure.’ Reid justified these controversial claims by appeal to Cheselden's report of the experiences of a young man affected by severe cataracts, and by appeal to cases of perception of visible figure without color. While holding fast to the principle that sensations are not extended, Dugald Stewart tried to show that ‘a variety of colour (...) sensations is a necessary means for the perception of visible figure.’ According to John Fearn, two motives appear to be central to Reid's views about color sensations and extension: his commitment to the Cartesian doctrine of the immateriality of the soul, and his attempt to evade ‘Hume's dilemma’ about the existence and immateriality of the soul. (shrink)

Reid’s rejection of the “theory of ideas” implies that sensations are not copies of external qualities such as extension and figure. Reid also says that not even the order of sensations is spatial. However, in his early manuscripts Reid did not deny that sensations are arranged spatially. He simply denied that our ideas of extension and figure are copied from any single atomic sensation. Only subsequently did Reid explicitly reject the view that sensations are arranged spatially. The question of the (...) spatiality of color sensation was a central concern of early interpreters of Reid, like Dugald Stewart, John Fearn, and William Hamilton. In particular, John Fearn thought that the denial of the spatiality of color sensations is the result of Reid’s commitment to the immateriality of the soul. Against Reid’s view, Fearn argued that the perception of visible figure necessarily implies the spatiality of color sensations. (shrink)

According to Thomas Reid, the development of natural sciences following the model of Newton's Principia and Optics would provide further evidence for the belief in a provident God. This project was still supported by his student, Dugald Stewart, in the early nineteenth century. John Fearn , an early critic of the Scottish common sense school, thought that the rise of ‘infidelity’ in the wake of scientific progress had shown that the apologetic project of Reid and Stewart had failed. In reaction (...) to Reid and Stewart, he proposed an idealist philosophy that would dispense with the existence of matter, and would thus cut at the root what he thought was the main source of modern atheism. In this paper, I consider Fearn's critique of Reid and Stewart in his main works: First Lines of the Human Mind and Manual of the Physiology of Mind . I also consider Fearn's arguments against Hume and in favour of a renewed apologetics in An Essay on the Philosophy of Faith and the Economy of Revelatio.. (shrink)

Thomas Reid is the foremost exponent of the Scottish 'common sense' school of philosophy. Educated at Marischal College in Aberdeen, Reid subsequently taught at King’s College, and was a founder of the Aberdeen Philosophical Society. His Inquiry Into the Human Mind on the Principles of Common Sense was published in 1764, the same year he succeeded Adam Smith as Professor of Moral Philosophy at the University of Glasgow. He resigned from active teaching duties in 1785 to devote himself to writing, (...) and published two more books — Essays on the Intellectual Powers of Man and Essays on the Active Powers of Man. Within a short time of publication, Reid’s works were translated into French and German, and greatly influenced debates in philosophy and psychology in Europe. His influence in the emerging colleges and universities of post-revolutionary America was even greater. Reid was widely regarded as David Hume’s most sophisticated contemporary critic. His critique of the "theory of ideas", that lay behind both Hume’s scepticism and Berkeley’s immaterialism, his critique of Locke’s theory of personal identity, and his defence of “moral liberty” against determinism, are all of enduring interest and significance. The aim of this comprehensive selection of his writings is to make the key elements of Reid’s philosophical work available to a new generation of readers. Two other philosophers of the ‘common sense’ school are featured in the Library of Scottish Philosophy— James Beattie and Dugald Stewart. (shrink)

In normal observers, gazing at one’s own face in the mirror for a few minutes, at a low illumination level, triggers the perception of strange faces, a new visual illusion that has been named ‘strange-face in the mirror’. Individuals see huge distortions of their own faces, but they often see monstrous beings, archetypal faces, faces of relatives and deceased, and animals. In the experiment described here, strange-face illusions were perceived when two individuals, in a dimly lit room, gazed at each (...) other in the face. Inter-subjective gazing compared to mirror-gazing produced a higher number of different strange-faces. Inter-subjective strange-face illusions were always dissociative of the subject’s self and supported moderate feeling of their reality, indicating a temporary lost of self-agency. Unconscious synchronization of event-related responses to illusions was found between members in some pairs. Synchrony of illusions may indicate that unconscious response–coordination is caused by the illusion–conjunction of crossed dissociative strange-faces, which are perceived as projections into each other’s visual face of reciprocal embodied representations within the pair. Inter-subjective strange-face illusions may be explained by the subject’s embodied representations and the other’s visual face binding. Unconscious facial mimicry may promote inter-subjective illusion–conjunction, then unconscious joint-action and response–coordination. (shrink)

Fr. Sala attempts in this article to provide readers and students of Lonergan with a clear, precise, and condensed presentation of his conception of method in theology in today’s context. He does this by sketching the most important stages in the evolution of Lonergan’s thought. The core of this presentation is the analysis of the “human subject in its subjectivity.” Lonergan deals primarily not with the content of theological science but with the operations theologians perform in constructing theology. He endeavors (...) to clarify this subjectivity in all its dimensions. Having given us an analysis of Lonergan’s Verbum articles, Sala goes on to present Lonergan’s Insight under three headings: knowledge, objectivity, and reality. This done, he proceeds to summarize Method in Theology under these headings: the religious dimension of the subject, the structure of theological method, the specific theological principle of a method in theology, and the authentic subject as the foundation for theological reflection.The article is a masterly presentation of a vast area of research and a good introduction to Lonergan’s works.This article appeared in Theologie und Philosophie 63 (1988) 34-59 and was titled: “B. Lonergans Methode der Theologie: Ein Theologe hinterfugt seinen eigenen Verstand.” Von Giovanni B. Sala, S.J. (shrink)

Fr. Sala attempts in this article to provide readers and students of Lonergan with a clear, precise, and condensed presentation of his conception of method in theology in today’s context. He does this by sketching the most important stages in the evolution of Lonergan’s thought. The core of this presentation is the analysis of the “human subject in its subjectivity.” Lonergan deals primarily not with the content of theological science but with the operations theologians perform in constructing theology. He endeavors (...) to clarify this subjectivity in all its dimensions. Having given us an analysis of Lonergan’s Verbum articles, Sala goes on to present Lonergan’s Insight under three headings: knowledge, objectivity, and reality. This done, he proceeds to summarize Method in Theology under these headings: the religious dimension of the subject, the structure of theological method, the specific theological principle of a method in theology, and the authentic subject as the foundation for theological reflection.The article is a masterly presentation of a vast area of research and a good introduction to Lonergan’s works.This article appeared in Theologie und Philosophie 63 (1988) 34-59 and was titled: “B. Lonergans Methode der Theologie: Ein Theologe hinterfugt seinen eigenen Verstand.” Von Giovanni B. Sala, S.J. (shrink)

The article tries to retrace the emergence of kant's "critique of pure reason". Already in the sixties, Kant faced the problem of metaphysics and came to the result that the conclusions of pure reason have only a subjective value. Hereby the material content of transcendental dialectic was reached. Only afterwards kant examined the underlying ontology and came to his transcendental idealism. On this new base kant should have had to revise his former critique of special metaphysics. However, He did this (...) only partially. (shrink)

O presente ensaio, aqui publicado em tradução original para Português, constitui uma secção muito significativa da conhecida obra de Giovanni B. Sala sobre Lonergan e a sua relação com Kant. Trata-se de um estudo comparativo das teorias do conhecimento de Immanuel Kant e de Bernard Lonergan, tomando-se como ponto de partida uma análise do estatuto do a priori no conhecimento humano tal como no-lo apresenta a Crítica da Razão Pura, de Kant, para depois se apresentarem as respectivas lacunas, insuficiências (...) e contradições mediante o recurso a Insight, a obra mestra de Bernard Lonergan. Para o filósofo jesuíta, com efeito, o interesse primordial consiste em realçar a possibilidade do conhecimento do ser, possibilidade essa fundamentada na natureza do juízo e na natureza do questionamento humano. Para além disso, mostra-se também como em ordem a ultrapassar a impossibilidade do conhecimento numénico, a reflexão lonerganiana sublinha o conhecimento como estrutura empírica, inteligente, racional e responsável, capaz de captar a realidade, uma vez que esta é, segundo Lonergan, intrinsecamente inteligível. /// The present text is a translation into Portuguese of a section of a work by Giovanni Sala on Lonergan and his relation with Kant. It amounts to a comparative study of the gnoseologies of Kand and Lonergan, whereby the starting point is an analysis of the statute of the a priori in human knowledge such as we find it in the Critique of Pure Reason of Kant, so that in the process the author also shows the corresponding insufficiencies and contradictions by means of a reading of the work Insight by Bernard Lonergan. For the Jesuit philosopher, the main interest of his gnoseology consists in an affirmation of the possibility of knowing being, possibility that is grounded in the nature of judgment itself and in the nature of human interro- gation. Moreover, the article also shows how in order to overcome the impossibility of noumenal knowledge, the lonerganian reflexion underlines knowledge as an empirical structure, intelligent, rational and responsible, able to capture reality. In the end, this is possible due to the fact that, for Lonergan, the real is intrinsically intelligible. (shrink)

Gambles which induce the decision-maker to experience ambiguity about the relative likelihood of events often give rise to ambiguity-seeking and ambiguity-avoidance, which imply violation of additivity and Savage's axioms. The inability of the subjective Bayesian theory to account for these empirical regularities has determined a dichotomy between normative and descriptive views of subjective probability. This paper proposes a framework within which the two perspectives can be reconciled. First, a formal definition of ambiguity is given over a continuum ranging from ignorance (...) to risk, and including ambiguous contexts as subsets. Second, it is shown that the systems of inductive logic account for the effects of ambiguity. Then, Carnap's X-system is applied as a psychological model and compared to Einhorn and Hogarth's non-normative psychological model. Finally, the implications of this research to the modeling of subjective probability judgements are discussed. (shrink)

Findlay and Lumsden have proposed a model of creative potential which accounts for divergent thinking but not for convergent thinking. This limitation impedes the applicability of the model to scientific creativity, where competence and thus convergent thinking play a fundamental role since the early stages of creation. This limitation is a natural consequence of the fact that Findlay and Lumsden's model is purely intrapsychic. This paper proposes a model of scientists' creative potential which accounts for both divergent and convergent processes. (...) First, drawing from Csikszentmihalyi's and Kuhn's theories, scientists' creative potential is defined as a matching between the cognitive structure and the epistemic and social structure of the domain. Second, based on this sociopsychological definition, an extension of Findlay and Lumsden's model is proposed. The model states that the highest creative potential is achieved by those scientists who deeply understand the core of the domain and still have cognitive power to access, and experiment on many ideas that are not presently included in the domain. The new model is shown to have greater explanatory power than Findlay and Lumsden's model and to include the latter as a limiting case. (shrink)